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The Art of Persuading Metal

Penland spring concentrations are coming up this March 11 – May 4, 2018. Registration is now open and scholarships are available. Scholarship applications are due by 11:59 PM EST on November 28, 2017.

 

Stirrup Cups by Adam Whitney
“Sea Monster Stirrup Cups,” Adam Whitney

 

It’s hard to hold one of Adam Whitney’s sea monster stirrup cups without being drawn in by memories of old maps, aquarium trips, and the open sea. They’re exquisite objects with incredible detail—shiny protruding fangs, shadowy eyes, and dimpled, scaly skin that looks as cold and wet as any creature drawn from the ocean’s depths. But seeing the finished projects is only half the story. The other half is seeing how Adam takes a solid silver ingot and transforms it with a hammer and anvil into a raised vessel before adding layers of detail with chasing, repoussé, and great patience and skill. If that sounds like magic, we’d suggest watching Adam’s animation below.

 

animation of silver ingot being raised into a pair of cups

 

This spring, Adam will be sharing his expertise with students at Penland during an eight-week concentration. The workshop is titled, appropriately, Persuading Metal and will introduce students to the process of coaxing silver, copper, and other metals from solid chunks into refined vessels, as well as jewelry techniques, tool making, hydraulic forming, chasing and repoussé, and more. Whether you’re a jeweler who wants to learn some new skills, an experienced metalsmith hoping to hone your work, or a complete beginner interested in gaining proficiency in metals, this workshop has plenty to offer, and Adam is an expert instructor (and former Penland metals studio coordinator!).

Registration is now open, and scholarships are available for all spring concentrations. The scholarship application deadline is November 28, 2017. See below for more details, and see Adam’s website for more images of his incredible work.

 

Adam Whitney working on a silver cup
Adam adding detail to a raised silver cup.

Persuading Metal

Adam Whitney—This workshop will be an exploration of manipulating metal and creating holloware. We’ll begin with the hammer: forging, sinking, and raising samples to establish a foundation in metal forming. Basic metalsmithing and lesser-known (and underappreciated) jewelry skills will be introduced with attention placed on working in a larger scale. Then we’ll move on to chasing and repoussé, basic tool making, and hydraulic press forming. We’ll start with lots of demonstrations and samples. As students become proficient with materials and processes, the emphasis will move to individual guided projects and discussions of historic and contemporary holloware. All levels. Studio fee: $160. Code S00MA

Studio artist; teaching: Center for Metal Arts (NY), Smith Shop (MI), Fritz & Friends (MI), Raffles College (Malaysia); visiting artist: Rhode Island School of Design.

awmetalsmith.com

 

raised cups by Adam Whitney
A selection of raised silver cups by Adam Whitney

 

REGISTER FOR SPRING CONCENTRATIONS
clay  |  letterpress  |  painting  |  metals  |  textiles  |  wood  |  sculpture
Scholarship applications due November 28, 2017

 

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Core Show 2017

The following post is a photo slideshow. If you’re looking at it in email, we recommend viewing it on the blog.

 

Penland's A+ core fellows! Thomas Campbell, Eleanor Anderson, Kyle Kulchar, Elliot Keeley, Sarah Rose Lejeune, Stormie Burns, Rachel Kedinger, Corey Pemberton, and Alex McClay
Only a gold van is fit to chauffeur the core fellows on their big day!
BE IN TOUCH: 2017 Core Fellowship Exhibition
In addition to making all the work, the core fellows select the pieces to exhibit and do all the installation themselves.
Every year, this special night draws a crowd of staff, students, instructors, friends, family, and community members.
Director Jean McLaughlin welcomed everyone and introduced the Core Fellowship Program.
Penland's program director Leslie Noell introduced each core fellow with observations about their work and growth as artists.
A look through weaving by Sarah Rose Lejeune at the show on opening night
Alex McClay, Net Series, steel wire, sterling silver, linen knotted netting by Sarah Rose Lejeune
Alex McClay, Net Series (detail)
Alex McClay, May I Leave Now? etching on handmade paper
Corey Pemberton, On Separation, pen and ink on paper
Corey Pemberton, Auxiliary, Diptych (detail), fused glass
Eleanor Anderson, Studies from Penland Summer 2017, assorted media
Eleanor Anderson, Wood Quilt #1, plywood, paint, wire, waxed linen thread
Elliot Keeley, Basket Nasty, collagraph
Elliot Keeley, Bottle Permutations (details), wood-fired stoneware, steel, copper
Kyle Kulchar & Daniel Garver, Ikat Settee, ash, double weave-double ikat
Kyle Kulchar, Torsion, steel
Rachel Kedinger, Producing Connections, steel, enamel
Rachel Kedinger, Shoe Making Hammer
Sarah Rose Lejeune, At least there were some good dreams, cast and dyed silk organza
Sarah Rose Lejeune, Neither here nor there, handwoven ondulé devoré in cotton, silk, and stainless steel
Stormie Burns, left: Skew Bowl, cast glass; right: Skew Bowl (with Courtney Martin), wood-fired stoneware
Stormie Burns, Everything is Fine, screenprint
Thomas Campbell, Bronze Pin Container, bronze, salvaged steel
Thomas Campbell, Brake Vessel, salvaged steel, stainless steel
Congratulations on such a beautiful show, Core!

 

The annual core show in October is one of the most special events of the Penland year. It’s a time for us to celebrate our nine incredible core fellows, who give so much energy, hard work, and life to the studios and the school for the two years they’re here. This year’s show, BE IN TOUCH, featured pieces in metals, wood, textiles, print, glass, and more. The work ranged in size from earrings and delicate baskets to furniture and a giant stitched accordion book that, even partially folded, stretched up to the ceiling. Each piece was an exquisite representation of the dedication, exploration, and talent of these emerging artists. Congratulations Thomas, Eleanor, Kyle, Elliot, Sarah Rose, Stormie, Rachel, Corey, and Alex—and thanks for such a great show!

The work from BE IN TOUCH is currently on display at Queens University in Charlotte, NC. It will be up through December 7 and is well worth a visit if you’re in the area!

 

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Penland at SOFA CHICAGO 2017

aerial view of SOFA Chicago exhibit hall

We’re eagerly anticipating another year of incredible art, fascinating lectures and demonstrations, good friends, and more at this weekend’s SOFA CHICAGO 2017. The expo opens tonight and runs through November 5 at Navy Pier. It will feature work by hundreds of artists across a range of media from glass and metal to painting and textiles. Penland’s director Jean McLaughlin will be there, and we’ll have a table staffed by some wonderful Penland volunteers all weekend—please stop by and say hi!

If you’re in the Chicago area, a day at SOFA CHICAGO is a unique opportunity to see some of the best in sculpture, craft, design, and more all under one roof. It’s also a great way to see the recent work of many Penland instructors who are represented at the event. A few will be presenting as part of the SOFA lecture series, including jewelers Kat Cole and Janis Kerman, curator and glass artist Susie Silbert, and ceramic sculptor Esther Shimazu.

And for all of us who can’t be there in person, the lush photographs of this year’s art on the SOFA website are well worth a look. Take a peek and be inspired!

Images: SOFA CHICAGO

 

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Spring with Sunshine Cobb

Sunshine Cobb’s mugs, jars, and bowls have the sort of effortless personality that can only come through great skill, a highly refined process, and, yes, a good deal of effort. Their soft, matte surfaces play up the textured forms and rich, red clay underneath. They’re quirky, bright, and inviting—much like Sunshine herself. It’s hard to mistake this work for anyone else’s, which is a large portion of its brilliance.

This spring, Sunshine will be returning to Penland to teach our 8-week spring clay concentration March 11 – May 4, 2018. Israel Davis was originally scheduled to teach in the slot, but Sunshine graciously stepped in when he had to cancel. The workshop will be an intensive look at building forms on and off the potter’s wheel and the wide range of surface options to complement them. For beginning students, it will be a guided jump-start into the world of clay. For those with more experience, it will be a valuable opportunity to develop new ideas and refine personal style, as well as get practical advice on the business side of making a living as an artist.

Registration is currently open on a first-come, first-served basis for spring workshops. Scholarships are available for all spring concentrations—apply by November 28!

 

ceramic trays by Sunshine Cobb

 

Wheelthrowing and Handbuilding Techniques

Sunshine Cobb, March 11 – May 4, 2018
This intensive workshop will be explore form and content through functional ceramics by diving deep into a combination of both handbuilding and wheelthrowing techniques. And we will cover a broad range of surface solutions. Participants can also expect creative exercises and critical discussions relative to form, surface, and the balance of both. We’ll also have sessions on developing online and social media content and discussions of business models that working artists are using today. You will delve into your makers’ mind and develop new approaches and ideas to your work. All levels. Studio fee: $245. Code S00CA

Studio artist; teaching: Red Clay Lodge (MT), Santa Fe Clay (NM), Anderson Ranch (CO), Penland; Archie Bray Foundation (MT) long-term residency; named 2013 Emerging Artist by Ceramics Monthly and NCECA; author of the forthcoming Mastering Hand Building: Techniques, Tips, and Tricks for Slabs, Coil, and More (Voyageur Press, 2018).

sunshinecobb.com

 

REGISTER FOR SPRING CONCENTRATIONS
clay  |  letterpress  |  painting  |  metals  |  textiles  |  wood  |  sculpture
Scholarship applications due November 28, 2017

 

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Photo of the Week: Work-Study Rules!

This is the lunch work-study crew on October 4 posing for our Giving Day campaign. Work-study scholarship students are a critical part of Penland’s labor force. They balance their time and energy between making beautiful work in the studios and washing dishes, staying on top of things in the dining hall, helping in the garden, etc., etc. We love our work-study students; they really do make Penland go.