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Moving Pictures: Animated Letterpress with Rory Sparks

rorysparks

 

Oregon-based book artist Rory Sparks will teach an eight-week concentration in animated letterpress at Penland this spring. Rory cites the useless machines of Bruno Munari and Marcel Duchamp’s film Anémic Cinéma as two sources of inspiration for the workshop. Below, she talks more about why these two artists and works animate her thinking about motion and letterpress.

 

 

 

 

“As a bookbinder, I’m often thinking about how text is read, and how the experience and act of reading can change with movement and environment. To me, Munari’s useless machines reference words in a graphic way. Sentences, or poems floating in three dimensional space. Here is my favorite useless machine (Maccine Inutilli):

Bruno Munari, Maccine Inutilli, via instenseminimalism.com
Bruno Munari, Maccine Inutilli, via instenseminimalism.com

 

 

 

Marcel Duchamp, Disques Avec Spirales (Rotorelief), via mfranck.com
Marcel Duchamp, Disques Avec Spirales (Rotorelief), via mfranck.com

“In Duchamp’s Anémic Cinéma, the optical illusions that are produced are incredible. Especially that moment when your brain clicks and your vision shifts, and you see the depth and protrusions within the illusion. But I’m actually more excited about the concept than anything–the idea behind the project–prints meant to be viewed in motion. I’m looking forward to exploring with my students what other types of imagery would be best viewed in motion.”

(At right: rotorelief discs that were placed on a record and filmed in Anémic Cinéma. Duchamp included this note: “The disc should turn at an approximate speed of 331/ 3 revolutions per minute, this will give an impression of depth, and the optical illusion will be more intense with one eye than with two!”)
 

 
Rory Sparks
Moving Pictures: Animated Letterpress
March 9-May 2, 2014
In the letterpress studio
Let’s get things moving! We’ll explore various methods of incorporating kinetic design and animation into our letterpress work, including flip books, thaumotropes, zoopraxiscopes, red/cyan 3d anaglyphs, mobiles, and combinations of all of the above. We’ll cover the fundamentals of letterpress including press operation, typesetting, and polymer plates, and we’ll use various low-tech methods for getting images onto paper. We’ll sharpen skills and employ the letterpress as a perfect modular system for stop-frame animation. Inspiration will come from Marcel Duchamp’s film, Anémic Cinéma, Bruno Munari’s useless machines, and, of course, Eadweard Muybridge. All levels.
 

To find out more and register for this workshop click here.
Spring scholarship deadline is November 29.
Please note: applications need to be at Penland by this date to be considered for scholarship. Overnight service may not deliver to Penland’s campus on time, please plan accordingly.

 

Rory Sparks, Live Specimen: 4 Line French Clarendon, thread, paper, letterpress-printed type
Rory Sparks, Live Specimen: 4 Line French
Clarendon, thread, paper, letterpress-printed type

Rory Sparks is a book artist and founder of Em Space Book Arts Center in Portland, Oregon, a membership-based studio. She specializes in letterpress printing and limited edition books for artists and photographers. She teaches at various institutions including Oregon College of Art and Craft, Pacific Northwest College of Art, and Em Space. She produced all three Orchard Editions for the Silas Finch Foundation, as well other projects and editions for them. In 2013, she was a master printer at Penland’s Winter Letterpress and Print Residency. Right now, she’s probably listening to Willy Mason sing “Talk Me Down.”

 

 

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